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''7 Faces of Dr. Lao'' is a Metrocolor 1964 film adaptation of the 1935 fantasy novel ''The Circus of Dr. Lao'' by Charles G. Finney. It details the visit of a magical circus to a small town in the southwest United States, and the effects that visit has on the people of the town. The novel was adapted by Charles Beaumont, directed by George Pal and starred Tony Randall in the title roles. == Plot == It is the dawn of the 20th century, and an elderly Chinese man rides a jackass into Abalone, Arizona, his only visible possession a fishbowl occupied by an innocuous-looking fish. This magical visitor, Dr. Lao (Tony Randall), visits Edward Cunningham's (John Ericson) newspaper and places a large ad for his traveling circus, which will play in Abalone for two nights only. Though quiet, Abalone is not peaceful. Wealthy rancher Clinton Stark (Arthur O'Connell) has inside information that a railroad is coming to town and is scheming to buy up the place while the land is cheap. Cunningham, who is also romantically pursuing the town's librarian, Angela Benedict (Barbara Eden), a beautiful young widow still grieving the death of her husband, opposes Stark's power grab. After doing some research, Cunningham visits the circus site that has sprung up at the edge of town and confronts Lao with the fact that Lao's alleged hometown vanished centuries before. Lao deflects Cunningham's questions and he "leaves in a cloud of befuddlement". That night there is a town hall meeting to discuss the proposition to sell all of the town to Stark. It becomes apparent, largely through the obsequious deference paid to Stark by Mayor Sargent, and the objection of old maid Mrs. Cassan to questions from Cunningham and his love-interest, Angela Benedict (sitting nowhere near him), that greed has possessed most of the town's citizens and they are just one step away from selling out. Dr. Lao's enigmatic entrance, however, and the sound of the chair he pulls back scraping the floor, momentarily catch everyone's attention, and are a forerunner of changes to come. Mr. Stark's premise for selling the town is that its 16-mile long water supply pipe from a neighboring town is decaying and would be too expensive to replace. His answer to Angela's inquiry as to why he's interested in the town, then, uses the analogy of her ability to turn a bad child into a good one; he is a businessman and knows how to turn a bad venture into good. More detail he does not give. Cunningham introduces everyone to George C. George, a Navajo Indian who lives in "another city, close to our own", and points out that the lives of its residents depend on Abalone's continued existence. Stark reluctantly allows the townspeople to ponder their choice "until Friday night" and the meeting is adjourned. After the meeting, Stark's henchmen assault George C. George, and Dr. Lao uses his magic to rescue him. The next morning, as Lao puts up posters around town advertising his circus, he is assisted by Angela's young son Mike (Kevin Tate), who learns that the mysterious wanderer is 7,322 years old. The circus opens its doors, and the townsfolk flock in. Along with the main cast, the gawkers include Luther Lindquist and his shrewish wife Kate, and Mrs. Cassan, a foolish widow who clings to her self-image of a young beauty. Lao uses his many faces to offer his wisdom to the visitors, only some of whom heed the advice. Mrs. Cassan has, to her dismay, her dark future pretold by Apollonius of Tyana, a blind prophet who is cursed to tell the absolute truth, no matter how cruel and shocking it may be. Apollonius tells her she will never be married and will live a lonely, meaningless existence, having accomplished so little she might as well have never lived at all. Stark has a disquieting meeting with the Great Serpent, Mike befriends the pathetic Merlin, and Angela is aroused from her emotional repression by Pan's intoxicating music. After Medusa turns the disbelieving Kate Lindquist to stone, Lao calls an end to the proceedings as the guests flee. Merlin appears, restoring the woman to life, her experience causing a much-needed reformation in her character. Later that night, Mike visits Lao and tries to get a job, displaying his novice juggling and conjuring skills. Lao instead offers some advice and observations about the world ("... the whole world is a circus, if you know how to look at it ..."), which Mike doesn't understand, and Lao claims to not understand either. Meanwhile, during the show, Stark's two henchmen have destroyed the newspaper office. Cunningham and his pressman discover the devastation, go drown their sorrows, then stagger back to learn that the damage has been magically repaired by Lao. They rush out an abbreviated edition of the paper, which Cunningham delivers in person to Stark. The next night (in the tent which Angela describes as being bigger on the inside than on the outside), Lao stages his grand finale, a magic lantern show in which the mythical city of "Woldercan," populated by doubles of the townfolk, is destroyed when it succumbs to temptation personified by Stark (as a sort of devilish tempter). The show ends in explosions and darkness, but as the house lights gradually come back up, the townsfolk find themselves now in a town meeting, voting on Stark's proposal. They reject it, and a redeemed Stark tells them about the coming railroad while noting that they owe a debt of gratitude to Lao. A dust-storm blows up, and as the townsfolk scatter, Angela opens up to Ed, finally admitting that she is in love with him. Stark's henchmen are confused by their boss' apparent change of character and decide to trash Lao's circus in a drunken spree, during which they break Lao's fishbowl. The inhabitant is revealed (to the accompanying sound of bagpipes) to be the Loch Ness Monster, which balloons to enormous size when exposed to the open air. After it chases the two thugs into the storm (and temporarily grows seven heads to resemble the seven faces of the inhabitants of the circus), Mike alerts Dr. Lao and then helps conjure up a cloudburst to wet and thus shrink the beast back to its original size. Morning comes and the circus is gone, leaving a red-colored circle on the desert floor. Mike chases after a dust plume, which he thinks is made by Lao, but only finds three wooden balls. He is able to juggle them expertly. The closing scene shows the disappearing Dr. Lao riding his donkey over a nearby rise as his voice-over repeats his advice to Mike from two nights earlier, reminding Mike that the Circus of Dr. Lao is life itself, and everything in it is a wonder. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「7 Faces of Dr. Lao」の詳細全文を読む スポンサード リンク
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